1: Fritz Brandtner, CGP, CSPWC, CSGA 1896-1969 Farm Hands at Work Coloured ink drawing on paper Signed and inscribed Quebec, lower centre Image size: 26.7 x 36.8cm
2: Doris Jean McCarthy, RCA, OSA 1910- ? Georgian Bay Shoreline C. 1930 Oil on panel Signed lower right Image size: 29.2 x 31.7cm Provenance: The Art Emporium, Vancouver
3: Ina D.D. Uhthoff 1889-1971 Indians with two tee-pees Watercolour on paper Signed lower right, titled on gallery label to reverse Image size: 29.2 x 25.4cm Exhibited: de Vooght Galleries, Vancouver
4: Ronald Threlkeid Jackson 1902-1992 Shelter Bay, Q.C.I Oil on board Signed lower right, titled and signed to reverse Image size: 18 x 24in. 45.8 x 61cm Exhibited: Alex Fraser Galleries, Vancouver
5: Edward John Hughes, RCA 1913-Cont. View Of Nanaimo - 1948 Graphite drawing on paper Signed lower left, titled and dated on gallery labelto reverse Image size: 28 x 37.5cm Exhibited: Dominion Gallery, Montreal
6: Wilfred Molson Barnes, RCA 1882-1955 After the Shower 1929 Oil on pressed board Signed and dated lower left, titled, signed and inscribed to the reverse Image size: 24.2 x 33.7cm Provenance: Galerie Bemard Desroches, Montreal Private collection,
7: Berthe Des Clayes, ARCA 1877-1968 On the South Terrace, Holland House, London Oil on panel Signed lower right, titled and signed on label to the reverse Image size: 26.7 x 34.8cm Provenance: Private Collection, Montreal
8: Claude Langevin 1942-Cont. Au Detour de la Riviere Oil on canvas Signed lower right, titled and signed to reverse Image size: 24 x 30in. 61 x 76.2cm
9: Joseph Joe Francis Plaskett RCA 1918-Cont. Barge On The Seine, Paris Oil on canvas Signed and dated '68 lower right Image size: 39.9 x 79.8cm
10: James Henderson 1871-1951 Hill Sides - Winter Qu'Appelle Valley Oil on canvas Signed lower right, titled and signed to reverse Image size 14 x 16in. 35.6 x 40.8cm
11: William Percival Weston, ARCA, BCSFA, CGP 1897-1967 Golden Ears FromPitt Lake Oil on panel Signed and dated '50 lower left, titled and signed to the reverse Image size: 16 x 18in. 40.7 x 45.8cm Exhibited British Columbia Society of Artists, 41st
12: Mare-Aurele Fortin, ARCA 1888-1970 Riviere En Automne c.1940 Oil on panel Signed lower centre Image size: 26 x 28.5cm See Colour Section
13: Walter Joseph Phillips, RCA, ASA, CSPWC 1884-1963 York Boat On Lake Winnipeg 1930 Original woodblock print in colours on wove paper; a very bold image with minor age discolouration extending beyond the image to the margins two slightly trimmed ,
14: Walter Joseph Phillips, RCA, ASA, CSPWC 1884-1963 Mountain Torent 1926 Original woodblock print in colours on wove paper; with paper tape residue to the verso four corners and edges, hinged acid-free attop edge, in very good condition; monogrammed
15: Walter Joseph Phillips, RCA, ASA, CSPWC 1884-1963 Mount Cathedral and Mount Stephen 1928 Original woodblock print in colours on laid paper; with thin full margins, laid down along top edge, in excellent condition; initialled in the block lower left,
16: John Koerner 1913-Cont. Red Still Life 5 Oil on canvas Signed upper left, titled and signed to the stretcher Image size: 21 x 34in. 53.2 x 86.3cm See Colour Section
17: Walter Joseph Phillips, RCA, ASA, CSPWC 1884-1963 Gimli 1935 Original woodblock print in colours on wove paper; a clean image withadhesive residue to top and right margins, bottom right margin cornerrubbed, hinged at top centre edge, pencil
18: Walter Joseph Phillips, RCA, ASA, CSPWC 1884-1963 The Bather 1923 Original woodblock print in colours on wove paper; a clean image withfaint matte discolouration to the four full margins, pencil inscription to lower margin, hinged acid-free , in very
19: Paul Archibald Octave Caron, ARCA 1874-1941 Collins Inn, Straitsville, Connecticut Watercolour on paper Signed lower right, inscribed Collins Inn pages 48-56 "Early American Inns & Taverns " tothe reverse Image size: 24.3 x 30.5cm
20: Walter Joseph Phillips, RCA, ASA, CSPWC 1884-1963 The Diving Board 1931 Original woodblock print in colours on thin laid paper; with minor age discolouration extending beyond the image to within the twowide and two narrow borders, spot-glued at top